I am available to supervise in all areas of Italian and European medieval and early modern art, including especially cross-cultural artistic exchange, and materials and technologies of art making. Current and recent supervisions:
PhDJoanne Morice, The Embriachi workshop:, ivory, luxury and markets in trecento Europe.' In progress. Principal supervisor.
Liu Shiqui, Coming to Cathay: Foreign Influence on Art in Mongol Yuan China,' In progress. Principal supervisor.
Louise Box, The Secret Lives of Prints: the print albums of Elizabeth Seymour Percy, 1st Duchess of Northumberland (1716-1776),' 2020. Joint supervisor. (Awarded Chancellor's Prize for Best Disseration in the Humanities, Creative Arts, and Social Sciences, 2021).
Alice Helme, 'Art, Faith, and Place: Contextualisation of the Devotional Artefact in the Museo dell'Opera del Duomo, Florence,' 2021. Minor supervisor.Judy Jansen, 'Appropriation, Displacement, and Gender Theft: Figuring the Virgin and Christ in Medieval Christian Art,' University of British Columbia, 2020. External examiner.
Catherine Blake, Vitale da Bologna and the Logic of Painting,' University of Sydney, 2018. External examiner.

MAJoanne Morice, 'Making the Immaterial Material: The Embriachi Workshop, Ivory, and Mass Production in the Gothic Age. 2017. Principal supervisor,

BA HonoursSophie Lee McHugh, 'Remediating the Mind's Eye: Metapicture and Mental Images in the Secrets of Natural History,' 2021.
Riley McPherson, Monstrous Mothers of the Histories Prodigieuses,' 2019.
Sakina Hanif Nomanbhoy, Beyond Fear & Curiosity: Re-Imagining Sleyman I's Empire,' 2018-2019
Mary Hurley McGillivray , Hypermediacy and Allegory: Giotto's Circumspection and Wild Man,' 2018-2019.
Catherine Mahoney, The Trecento Knitting Madonna: Motherhood, Making and Materiality,' 2018.

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Anne Dunlop

Herald Chair in Fine Arts

School of Culture and Communication

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Anne Dunlop

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Anne Dunlop

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